(1941) With the possible exception of
their final film,
LOVE HAPPY
(1949), THE BIG STORE represents the nadir of the Marx
Brothers' film career. In previous films, Groucho had been a
doctor, a lawyer, a college president, an African explorer, and the
president of a mythical country. In this film, he works in a
department store. And if you think department stores aren't
as
ripe for satire as politics, education and grand opera...well, you'd be
right. There's a few good laughs in the Groucho-Dumont
exchanges,
Harpo has a clever harp solo with mirrors, and that's about all this
film has to recommend it. The mere mention of "Tenement
Symphony"
is enough to send Marx fans into convulsions, so I won't mention it
here.
½
- JL
Mr. Grover, as
played by fine character actor Douglass Dumbrille, has
got to be the most incompetent crook in the entire history of cheap
low-rent
movie thugs. He has been cooking the books in his favor at
Margaret Dumont's department store
so his plan to cover up his crime is to kill anybody who gets
in his way and doing that killing in
the store itself. During business hours, mind you, with hundreds of
customers around. Yet he
tries about 27 times to off his first victim without any
success. Grover even hires two killers to do his
business
for him, and then they fail
and are captured by the police.
He keeps coming up with the stupidest ways of having people
killed,
such as murdering somebody in a crowded elevator or hiding a gun in a
camera. Later,
when the Marx
Brothers have an incriminating photo showing him kidnapping somebody,
Grover engages a police officer to chase them around the store and kill
them, even though they are in possession of the picture, which will
obviously fall out of their hands if the cop manages to kill them, and
then Grover will be exposed anyway.
To avoid all suspicion, when he does finally get hold of the
photo, he burns it in front of the cop and says "You've got nothing on
me." You know, some
people just shouldn't be crooks. It's not really his fault
though. As I mentioned in my review of AT THE CIRCUS,
Marx Brothers screenwriters had forgotten how to create simple
plots. By the time of THE BIG STORE, they had forgotten how
to
create plots that even made a lick of sense. I mean,
seriously, if you were one of the hired killers captured by the cops,
wouldn't you immediately finger Grover as the guy who hired you?
You know you've got a really bad Marx Brothers movie on your hands when the musical sequences, both good and bad, are the parts you remember. Harpo's fantasy harp trio and his piano duet with Chico would be highlights in any Marx Brothers film, while Groucho's "Sing While You Sell" and Tony Martin's "Tenement Symphony" are unfunny and ungodly, respectively. The song "If It's You" is sort of nice, and at least wins points for not being a major production number. Tony Martin does have a great voice, so if you come to Marx Brothers movies for the intrusive leading man stuff, I guess this is the one for you.
As for the comedy, the
Brothers try their best. There are a couple of funny
lines here and
there (when a man walks into the store with 12 children, Groucho asks
"Do you have any other hobbies?") but
for the most part, they are given nothing remotely Marx
Brotherish to do. Chico may have some puns, but I doubt it.
Harpo has a couple of site gags that would be throwaways in
any
other Marx Brothers film, and Groucho is so ill-served
by the script, at one point he is reduced to reciting
straight poetry. My least favorite Marx Brothers film, and
if
that means that I admit to holding LOVE HAPPY up above this one, so be
it.
- JB
ADD ANOTHER QUOTE AND MAKE IT A GALLON
"Hmm, same tailor... how much do you owe him?"
IS THAT WHO I THINK IT IS?
Clara Blandick (Auntie Em from THE WIZARD OF OZ) plays a woman who requests a new hit song at the record department. Virginia O'Brien is the deadpan singer in the "Sing While You Sell" number. Russell Hicks (J. Frothingham Waterbury from W. C. Fields THE BANK DICK ) plays one of the buyer of the film's Store. Fields favorite Jan Duggan (best known as Cleopatra Pepperday in THE OLD FASHIONED WAY plays a woman inquiring about a bed. Henry Armetta, known to Laurel and Hardy fans as the Inn Keeper from FRA DIAVOLO aka THE DEVILS BROTHER plays the guy with the dozen kids. This cast is way too interesting for such a poor film.
BONUS THOUGHTS
FROM OUR MAILBAG
"Sing While You Sell," while hardly
"Everyone Says I
Love You," from HORSE
FEATHERS, is at least sung by smiling people
showing some exuberance. And I would be remiss if I didn't admit I find
myself humming it today. But "The Tenement Symphony"?...was that
actually being sung (partially) by a choir of boys holding flashlights
under their chins? And cutaways to young musicians doing little "bits"
to represent some very joyless lyrics? Terrible lip syncing, so common
in "musicals" is something we're all used to (think of "Marble Halls"
in The Bohemian Girl) but Tony Martin's job here it just adds to the
funereal sense of unreality that permeates this "symphony." Ugh...
I was somewhat impressed with
the slapstick
chase scene at the end. Though terribly long, I thought it was good and
silly and (remember, boys, I am NOT a film expert) I don't know how
some of the effects were achieved. Harpo's mirror solo is great, and
Harpo's and Chico's piano duet was absolutely perfect!! My wife made me
rewind and we watched and laughed at that scene again. As good as
anything the boys ever did...
Did you notice that
the Italian customer
is the Innkeeper from [Laurel and Hardy's] Fra Diavolo (aka The Devil's
Brother)? Hooray! I love that guy...
And I still have a huge crush on Margaret Dumont...
Tory
THE GRAND DAME OF COMEDY
THE BIG STORE marks Margaret Dumont's last appearance with
the
Marx
Brothers. She would perform on television with Groucho one
more
time in 1965, recreating the opening of ANIMAL CRACKERS on The
Hollywood Palace. She passed away a few days
later.
Despite
the adversarial relationship she had onscreen with the Marx Brothers,
she loved "the boys" even as she complained that they ruined her
chances to be thought of as a real actress. The Marx Brothers
loved her too, especially Groucho, who mentioned her in his speech
when he received his lifetime Oscar. It may or may not be
true
that she "never understood the jokes" as Groucho often said (she
certainly seems to
having a grand time on The
Hollywood
Palace), but "Maggie" certainly knew
her importance to the team. "I'm the best straight woman in
Hollywood," she said in 1937, the same year she won the Best Supporting
Actress Award from the Screen Actor's Guild for her work in A DAY AT
THE RACES.
To understand
Dumont's importance to the
team, you need only to watch AT THE CIRCUS and notice
how when she
finally shows up, the movie suddenly comes
alive. Is there a Marx Brothers fan out there who doesn't
consider Margaret Dumont to be at least as important to the team as
Chico?